Behringer SRC2000 Manual de usuario descargar pdf (Pagina 10)

EURORACK MX1804X

adjusted, any reverb send from that channel follows the fader. Otherwise, when the fader is pulled down, the

reverb from that channel would still be audible. For cueing purposes, aux sends will usually be set pre-fader,

i.e. independent of the channel fader and mute.

Most reverbs etc. sum internally the left and right inputs. The very few that don’t may be driven in true stereo by

using 2 aux sends.

There is +15 dB of gain on every aux send. Such a high boost is usually only appropriate where the channel

fader is set around -15 dB or lower. Here, an almost exclusively wet signal will be heard. In most consoles,

such a wet mix required the use of a pre-setting for the channel aux send, losing fader control. With the

EURORACK you can have a virtually wet mix with fader control.

2.1.4 Routing, fading and muting

Level to the main mix and Alt 3-4 buses is ultimately determined by the channel faders . These are

specially manufactured for BEHRINGER mixing consoles, and are designed to give a smooth logarithmic taper

of a type more usually associated with megabuck consoles. The low level performance particularly is far

smoother than that of a normal budget fader.

Channel pan positions the output of the channel in the stereo field. Its constant-power design ensures

there are no level discrepancies whether a signal is hard-panned, centre-stage, or somewhere in-between.

Such pin-point accuracy will be a revelation if you have been working on consoles with lower quality circuits.

Solo/PFL we encountered in section 2.1.1. Solo also follows channel pan.

The MUTE/ALT 3-4 button is ergonomically placed immediately above the channel fader. Engaging mute,

indicated by , is equivalent to setting a fader level of minus infinity.

On the MX1804X the button serves two functions. When mixing directly to stereo, it acts as a normal

mute. However, this button also acts as a routing button to the ALT 3-4 outputs. In other words, you select

between the main mix and Alt 3-4 stereo buses via switch .

This is very useful when submixing live or recording to multitrack, as we shall see later (see chapter

4 “APPLICATIONS”).

2.2 Stereo input channel

Each stereo channel comes with two balanced line level inputs on 1/4" TRS connectors , for left and right

signals. When only the left input is connected, the channel operates in mono.

2.2.1 Input level

The stereo channels of the MX1804X are designed for typical line level signals. With the help of the PFL

function you can control the level of the input signal in the stereo channels. If it is necessary you can adapt the

output level of the connected device (MIDI instruments, effects devices, etc.) via its output level control.

2.2.2 Equalizer

The stereo input channels are fitted with four-band EQ.

The upper , high midrange , low midrange and lower shelving controls have their frequencies

fixed at 12 kHz, 3 kHz, 500 Hz and 80 Hz respectively.

All bands have up to 15 dB of cut and boost, with a centre detent for off.

A stereo equalizer is generally preferable to using two mono equalizers when EQ-ing a stereo signal, as often

discrepancies between left and right settings can occur.

2.2.3 Aux sends

These are the same as for mono channels (see 2.1.3). Note that a mono sum is taken from the stereo input.

2. OPERATION

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Behringer SRC2000 Manual de usuario Pagina 10

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