Behringer DSP1000P Manual de usuario descargar pdf (Pagina 14)

Tremolo & Delay: Since trip hop has become trendy, this effect  originally found in guitar amps 

is used to produce a more or less fast and intensive variation of volume (with an additional panorama

effect included in the DSP1000P). The modulation speed is controlled with VARIATION, the intensity

with EDITA, and the panning rhythm with EDITB. This algorithm belongs to the group of multi-effects

programs and also includes a delay effect which can be adjusted with EDITA-ENG.R (= delay time

from 0 to 340 ms in steps of 5.4 ms) and EDITB-ENG.R (= feedback).

1.4.4 Effect algorithm combinations (multi-effects programs)

Effect algorithms nos. 20 through 24 are multi-effects algorithms combining various effect types with, for

instance, a reverb algorithm, and can hence be used simultaneously. For example, effect #24 allows you to

chorus a lead guitar sound and at the same time add some room reverb.

Tremolo & Delay: This effect was originally meant for guitar but has become very popular with the

emergence of trip-hop. A variable, both in intensity and speed, variation of the volume, with additionally

a panning effect. Determine the speed of the modulation you with VARIATION, the intensity with

EDITA-ENGINEL and the Panning speed with EDITB-ENGINEL. This algorithm belongs to the

group of the multi-effect programs and is combined with a delay. Delay time is set with EDITA-ENGINER

ranging from 0 to 630 ms (10 ms increments) feedback is set with EDITB-ENGINER.

Delay & Reverb: Probably the most popular combination used for vocals, solo guitars, etc. With

ENGINEL you can adjust delay time (EDITA-ENGINEL) and feedback (EDITB-ENGINEL).

EDITA-ENGINER controls decay time and EDITB-ENGINER reverb mix. The program uses a Bright

Room reverb which can be used for a variety of applications. VARIATION changes the Delay Mix.

Pitch & Reverb: Use ENGINEL to transpose the pitch shifter (EDITA = cents; EDITB = semi-tones),

and ENGINER to control the reverb (Bright Room).

Flanger & Reverb: The flanger can be controlled in its modulation depth (ENG.LEDITA) and feed-

back (ENG.LEDITB), the reverb in its decay time (ENG.REDITA) and mix amount (ENG.R

EDITB). You can also adjust the modulation frequency with the VARIATION parameter.

Chorus & Reverb: This algorithm combines the popular chorus effect. Controllable parameters: modu-

lation frequency (VARIATION), modulation delay (ENG.LEDITA) and depth (ENG.LEDITB) with

the reverb from programs nos. 21-23.

1.4.5 Dual-mode effects algorithms

Unlike multi-effects programs, dual-mode programs (nos. 25 through 32) have their effects split up and sent

separately to the two audio channels (left/right). For example, you can route a flanger to the VIRTUALIZERPROs

left channel, while using a reverb (effect #26) for the right channel. In this way, you can use the DSP1000Ps

dual-engine processor as if it were two separate mono effects devices.

Pitch/Reverb: Here, you have a pitch shifter in the left channel (= Engine) with the usual edit options,

and a reverb in the right channel, which can be controlled in its length (EDITA) and high-frequency

content (EDITB).

Flanger/Reverb: left channel = flanger, modulation speed is controlled by VARIATION, delay by

ENG.L-EDITA and depth by ENG.L-EDITB. Right channel = reverb, with reverb time controlled by

ENG.R-EDITA and brilliance with ENG.R-EDITB.

Chorus/Reverb: Left channel = chorus, modulation speed is controlled by VARIATION, delay by

ENG.L-EDITA and feedback by ENG.L-EDITB. Right channel = reverb, with reverb time controlled

by ENG.R-EDITA and brilliance with ENG.R-EDITB.

Tremolo/Reverb: Left channel = tremolo, modulation speed is controlled by VARIATION, delay by

ENG.L-EDITA and feedback by ENG.L-EDITB. Right channel = reverb, with reverb time controlled

by ENG.R-EDITA and brilliance with ENG.R-EDITB.

1. INTRODUCTION

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